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b. 360
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composition: Op. 11, Concerto in E minor, Mvt III
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The finger swap marked by Fontana in EE emphasises the need for a strict realisation of the sustained bass notes in this and the next bars – see bars 361-363. category imprint: Differences between sources issues: EE revisions |
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b. 360
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composition: Op. 31, Scherzo in B♭ minor
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The missing arpeggio in FC (→GE) seems to be an oversight. However, arpeggios are also missing in analogous b. 462 and similar b. 470; therefore, it cannot be excluded that arpeggios were added in A after the completion of FC. category imprint: Differences between sources issues: Errors of FC |
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b. 360
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composition: Op. 31, Scherzo in B♭ minor
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A (→FC→GE1, →FE→EE1) has a reminding category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign |
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b. 360
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composition: Op. 2, Variations, complete
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In the main text we suggest category imprint: Editorial revisions |
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b. 361-362
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE, the characteristic Chopinesque category imprint: Differences between sources issues: EE revisions |
before g
1. The mark, unnecessary in this context, was removed in 
] suggested by the editors
in 