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b. 240
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composition: (Op. 4), Sonata in C minor, Mvt IV
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It is unclear whether the A mark is to be understood as a long accent or as a diminuendo – both versions seem to be musically acceptable. In the main text we provide an accent due to the shape of the mark, closer to accents. Moreover, according to us, the beginning of the tenor voice motif, emphasised by a slur, is another argument for an accent. In GE (→FE,EE,IE) the mark, extended between both crotchets, is definitely a diminuendo. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 241-242
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composition: Op. 43, Tarantella
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In A due to the charred corner of the page the part beginning with b. 241 to the end of b. 242 is illegible. category imprint: Graphic ambiguousness; Differences between sources |
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b. 241
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composition: Op. 39, Scherzo in C♯ minor
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Lacking in the sources is the bottom note of the L.H. octave, B category imprint: Editorial revisions; Source & stylistic information issues: Constraint from piano range |
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b. 241
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 features an F1 as the bottom most note of the chord. The patent in this context mistake was corrected in FE2 (→EE,FE3→FE4). In GE1 the chord was also printed with a mistake, entirely omitting the correct bass note (the bottom most note is an F). The remaining sources include the correct version. category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions , FE revisions |
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b. 241
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Chopin omitted category imprint: Differences between sources issues: Errors in FE , Errors in GE , No pedal release mark |
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