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b. 241-242

composition: Op. 21, Concerto in F minor, Mvt III

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In A there are no flats lowering g1 to gat the beginning of bar 241 and at the end of bar 242. The first of them was added already in GE1 (→FEEE, →GE2), the second one – only in EE.

category imprint: Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A

b. 241

composition: Op. 21, Concerto in F minor, Mvt III

Staccato dot in A

No mark in GE (→FEEE)

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The missing staccato dot in GE (→FEEE) is almost certainly a consequence of the oversight of the engraver of GE1.

category imprint: Differences between sources

issues: Errors in GE

b. 241-242

composition: Op. 21, Concerto in F minor, Mvt III

g tied in A, FE (→EE) & GE2

g repeated in GE1

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The missing tie of g is certainly a mistake of GE1, corrected both in FE – perhaps by Chopin – and GE2.
In GE1 the b-cslur is also written inaccurately – there is no ending thereof in bar 242, opening a new line.

category imprint: Differences between sources

issues: Errors in GE , GE revisions , Authentic corrections of FE

b. 241-242

composition: Op. 16, Rondo in E♭ major

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In FE (→EE1EE2), the beginning of a slur continued in the next bar in a new line in the R.H. is missing. The mistake was corrected in GE. In turn, in EE3, the notation is ambiguous – the reviser added a separate slur for the triplet at the end of bar 241 and left the extended beginning of the slur in bar 242.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions , EE inaccuracies , Uncertain slur continuation , Errors repeated in EE

b. 241

composition: Op. 11, Concerto in E minor, Mvt III

No mark in FE (→GE1GE2)

Wedge in EE & GE3

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The wedge over c​​​​​​​4, added in EE and GE3, may be considered justified – cf. bar 243.

category imprint: Differences between sources

issues: EE revisions , GE revisions