mUltimate Chopin

Text Compare Notes Sources Description

Issues : Errors of GC

b. 145-155

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In the sources based directly on [A] there are no naturals raising c to c – in GC in bars 145 and 147, in FE1 in bar 147. These patent inaccuracies were corrected in GE and FE2, so that all the remaining sources include the correct text. Similarly in bars 153 and 155, although there and in FE the second  was added only in FE4.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Last key signature sign , Errors of GC

b. 145-146

composition: Op. 35, Sonata in B♭ minor, Mvt II

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GC (→GE1) overlooked the dots extending the minims in bar 145. GE1 also omitted the dots in bar 146. The remaining editions include the correct text.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions , Rhythmic errors , Errors of GC

b. 148-152

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In the sources based directly on [A] – GC and FE1 (→FE2→FE3,EE1) – four naturals raising c1 to c1, in bars 148-149 and 151-152, are missing. These patent inaccuracies were corrected in GE, FE4 and EE2. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals , FE revisions , Last key signature sign , Errors of GC

b. 153-154

composition: Op. 38, Ballade in F major

Slur in A (→FE) & GE

No slur in GC & EE
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GC and EE overlook the slur in the L.H. Despite the error of GC, the revisers of GE added the slur after analogous bars 145-146, which do not raise any doubts.

category imprint: Differences between sources

issues: Errors in EE , GE revisions , Errors of GC

b. 154

composition: Op. 38, Ballade in F major

e3-c3 in A (→EE) & FE2 (→FE3)

e2-c2 in GC (→GE) & FE1
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As a result of misinterpretation of the octave sign, GC (→GE) and FE1 erroneously notate the first two semiquavers of the 2nd half of the bar an octave higher – e3-c3 instead of e2-c2. The error was corrected in FE2 (→FE3), most probably by Chopin.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , Authentic corrections of FE , Errors of GC