Issues : Errors of GC

b. 2

composition: Op. 35, Sonata in B♭ minor, Mvt IV

..

GC has a as the last quaver in the L.H. GE corrected this mistake, probably on the basis of comparison with the 1st half of the bar.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Errors of GC

b. 3

composition: Op. 35, Sonata in B♭ minor, Mvt III

..

GC (→GE1) includes an erroneous instead of G in the last chord in the L.H. The unquestionable in this context mistake was corrected in GE2mar (→GE2). Similarly in bar 57.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions , Errors of GC

b. 5

composition: Op. 25 No 11, Etude in A minor

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GC (→GE1) features naturals before b3 and a3 in the 3rd group of semiquavers. These unnecessary signs are remnants of the erroneously repeated 2nd group of semiquavers in this place. The mistake was corrected, by changing only the elements influencing the correctness of the text – pitch of the notes,  to  before the 3rd note. In GE2 (→GE3) the naturals were already not included.

category imprint: Differences between sources

issues: GE revisions , Errors of GC

b. 6-7

composition: Op. 35, Sonata in B♭ minor, Mvt I

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There are no quaver rests at the end of b. 6 and 7 in GC (→GE). It is probably the copyist's mistake.

category imprint: Differences between sources

issues: Errors of GC , Errors repeated in GE

b. 7-8

composition: Op. 25 No 2, Etude in F minor

  in AT

  in AW

No signs in GC (→GE)

  in CDP & FE

  in EE

..

The missing   in GC (→GE) is probably the copyist's oversight. Among marginal differences in the range of signs in particular sources, only the shorter hairpins of AW may suggest a slightly different shaping of the nuance. In the main text, we give the hairpins on the basis of FE (and CDP).

category imprint: Differences between sources

issues: Scope of dynamic hairpins , Errors of GC