b. 327
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add cautionary naturals before a2 and b1 (the last semiquaver) and omit the before g3 present in the sources. The first of the naturals was added already in GE and EE2 (→EE3), whereas the second – in EE and GE3. Moreover, both GE and EE include a cautionary before c4. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
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b. 327-328
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing hairpin is probably an oversight of the engraver of GE, although one cannot exclude the possibility that the mark was added in the last proofreading of FE. category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions |
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b. 327-328
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing in GE suggests that it was added in the last phase of proofreading of FE. In GE3, the absence of the dynamic marking at the beginning of the Tutti was considered a mistake, and was arbitrarily added in bar 327. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 327
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composition: Op. 2, Variations, complete
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In GE1 (→FE1,EE1→EE2) there are no accidentals to the fifth on the 2nd quaver in the bar, which would result in B-f. The oversight was corrected in GE2 (→GE3,FESB), FE2 and EE3. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE , FE revisions , Errors repeated in FE , Errors repeated in EE |
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b. 327-329
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composition: Op. 2, Variations, complete
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As before, all staccato marks used by Chopin, in this case dots, were arbitrarily reproduced in GE as wedges. category imprint: Differences between sources issues: Errors in FE , GE revisions , Wedges |