|
b. 230
|
composition: Op. 42, Waltz in A♭ major
..
Chopin added the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
||||||||
|
b. 230-231
|
composition: Op. 42, Waltz in A♭ major
..
In FE0 (→FE,EE) the slur ends on the last semiquaver in bar 230. In FEG (→GE) Chopin extended the slur to the 1st crotchet in bar 231. The composer probably overlooked the respective correction in the base texts to EE and FE. category imprint: Differences between sources issues: Errors in FE , Errors in EE |
||||||||
|
b. 230-231
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In GC – undoubtedly in accordance with [A] – the part of the L.H. is written in these bars in an abbreviated manner, as repetition of bar 229. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
||||||||
|
b. 230-231
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
Same as in bars 30-31 (the recapitulation is not written out in GC), the absence of the tie sustaining a2 is probably an oversight of the copyist. category imprint: Differences between sources |
||||||||
|
b. 230-231
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
The natural before the 5th quaver in the L.H. in bar 230 (c1) was added only in GE2. The natural before the 1st quaver in bar 231 (d1) is absent in FE; it was added in EE. The sign is also in GC, in which it is added by Chopin's hand (in bar 43), and in GE, which is based on it. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions |
in 
