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b. 229
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composition: Op. 23, Ballade in G minor
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EE1 (→EE2) overlooked the naturals to the octave on the 3rd crotchet. The mistake was corrected by EE3. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 229
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composition: Op. 49, Fantaisie in F minor
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Chopin probably added a pedal change in this bar to A after [FC], the basis for FE, had been finished. However, both versions can be considered equal, since in similar situations, when the following passage is based on the same chord, Chopin would use a continuous pedal, as in the FE version (→EE1). The pedal markings of EE2 were added on the basis of GE1, yet the category imprint: Differences between sources issues: EE revisions , EE inaccuracies |
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b. 229
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A the d1 notehead in the 2nd L.H. quaver does not align with g and f1 (vertically) and is not adjacent to this quaver's stem. Perhaps this is why it is absent in GE (→FE,EE,IE). The regular nature of this chordal sequence makes a very strong case for the presence of this note (cf. also bars 71-72). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Inaccuracies in A |
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b. 229-230
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composition: (Op. 4), Sonata in C minor, Mvt I
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In each of these bars in the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 229
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A Chopin forgot to write a category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |
in 
to the bottom note of the 3rd L.H. quaver (b
and b
to the last R.H. quaver, raising b