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b. 326-355

composition: Op. 11, Concerto in E minor, Mvt I

category imprint:

b. 326

composition: Op. 16, Rondo in E♭ major

..

In FE (→EE), there are no naturals raising the A1-A octave to A1-A in the L.H. and the 3rd a​​​​​​​ semiquaver to a in the R.H. The mistake, patent in this context (cf. analogous bar 328), was corrected in GE and EE2 (→EE3).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Last key signature sign , Errors repeated in EE

b. 326

composition: Op. 11, Concerto in E minor, Mvt III

in FE (→GE)

No sign in GE

..

The missing ​​​​​​​ hairpin in GE, unless it is a mere oversight of the engraver, proves that the mark was added in the last phase of proofreading of FE.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 326-330

composition: Op. 31, Scherzo in B♭ minor

No pedalling in A

  in bars 328 & 330 in FC (→GE1)

  in bars 326 & 328 in FE (→EE)

3 times   in GE2 (→GE3)

..

A comparison with analogous b. 428-432 proves that the complementary pedalling markings in b. 326, 328 and 330, added by Chopin in FC and FE, are to be considered jointly; the second time Chopin added three pedals in each of the two sources. A proper addition was also introduced in GE2 (→GE3).

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FE , Authentic corrections of FC

b. 327-336

composition: Op. 39, Scherzo in C♯ minor

Key signature change in EE & GC (→GE)

category imprint: Differences between sources