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b. 326-328

composition: Op. 21, Concerto in F minor, Mvt III

Staccato dots in A & GE2

No marks in GE1 (→FE)

Dot in bar 328 in EE
..

Omission of the staccato dots under c in bars 326 and 328 must be a mistake of GE1 (→FE). The sign in bar 328 was added in EE most probably on the basis of comparison with analogous bar 336. In GE2 the dots were added in accordance with A.

category imprint: Differences between sources

issues: EE revisions , Errors in GE , GE revisions

b. 326-328

composition: Op. 11, Concerto in E minor, Mvt I

Short accents in FE (→GE)

Vertical accents in EE
..

category imprint: Differences between sources

issues: EE revisions

b. 326

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE, the 8th and 10th semiquavers in the R.H. are a b2. The harmonic and pianistic context point to patent mistakes, which were corrected in EE and GE3. In turn, in GE1 (→GE2), the 8th semiquaver was changed to a2, yet a  before the 10th note was not added. The absence of corrections in the pupils' copies proves that the pupils most probably performed the correct text, perhaps without checking thoroughly the notation. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions

b. 326

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add a cautionary  before f3 and naturals before a3 and b1 at the end of the bar. The first two marks were added already in GE and EE. On the other hand, we omit the cautionary  before g3, present in the sources. 

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 326-327

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fingering written into FEH

Fontana's fingering in EE
..

The fingering written in FEH and Fontana's fingering in EE applying to the same notes is generally compliant. However, the differences, appearing from the 5th semiquaver in bar 326, suggest that in the further part of the figuration, at least until the middle of bar 327, the fingering rule was different in each of the sources. In FEH, the last digits are 4141, so one can assume that the pairs of 41 fingers are to be applied also in the further part (most probably with a change to 51 in bigger intervals). In turn, Fontana suggests using the 2nd finger also on f2 and g2, which actually results in the 5th finger for the b1 notes already from the 10th semiquaver in bar 326. The authenticity of the fingerings has not been confirmed.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH