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b. 229
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 229-231
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest adding slurs on the basis of comparison with the recapitulation, although the figuration is arranged slightly different there. The range of the slur added in bar 229 is marked by the adjacent slurs in bars 228 and 229-230. There is a similar situation in bars 230-231 – the added slur begins as the figuration is taken over by the L.H. and it ends before the next bass note in bar 232. The slur in bar 229 was added already in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 229-230
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composition: Op. 22, Polonaise
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In the main text we omit the reminder flats before a category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 229
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composition: Op. 44, Polonaise in F♯ minor
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On the 2nd beat of the bar AImaz features an f category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 229
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composition: Op. 23, Ballade in G minor
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FE (→GE,EE) added an unobvious cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
only before d
2. A second sign was added in 
-a-d
to a in the 2nd crotchet. It suggests that it was Chopin who performed it, since a few other situations prove the composer's subconscious uncertainty as to the validity of a 3rd key signature