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b. 295
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composition: Op. 44, Polonaise in F♯ minor
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In GE and FE1 there is no accidental to the bottom note of the L.H. chord on the 3rd beat of the bar (d). FE2 and EE added a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , FE revisions |
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b. 295
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composition: Op. 2, Variations, complete
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The term staccato is already in AsI, added in pencil. It is placed slightly earlier than the indication in A, from the beginning of the bar, which is probably related to the arpeggio starting from the 2nd semiquaver (without a rest) – see the note below. category imprint: Source & stylistic information |
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b. 295
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Main-line changes |
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b. 296-306
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composition: Op. 39, Scherzo in C♯ minor
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In GC (→GE) the slurs end in bars 298 and 306, respectively. For our main text we take the consistent slurring of EE and FE which we consider more grounded in the sources and more justified from the musical point of view. category imprint: Differences between sources issues: Inaccuracies in GC |
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b. 296
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composition: Op. 39, Scherzo in C♯ minor
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GC has the flat before the chord placed at the height of d category imprint: Source & stylistic information issues: Accidental below/above the note , Inaccuracies in GC |
, which we include in the main text. This and other additions were also introduced in b. 
1. We can come across similar inaccuracies in Chopin's own manuscripts as well.