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b. 214

composition: Op. 19, Bolero

No cresc. in FE (→EE1)

cresc. in GE & EE2 (→EE3)

Our variant suggestion
 
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category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 214-216

composition: Op. 21, Concerto in F minor, Mvt III

Ties in A

Slurs in GE1 (→FE→EE)

Slurs in GE2
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The ties of b in bar 214 and a in bar 216, very carefully written in A, were nonetheless reproduced in GE1 (→FE→EE) as d1-e1 and c1-d1 slurs. In GE2 the first of them was arbitrarily moved, so that it combines f1 and e1.

category imprint: Differences between sources

issues: Inaccuracies in GE , Errors in GE , GE revisions

b. 214-216

composition: Op. 21, Concerto in F minor, Mvt III

Long accents in A

Accent &  in GE1 (→FE→EE)

Different accents in GE2
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The signs under the chords in the L.H. in bars 214 and 216 in A are typical long accents. In GE (→FE→EE) the first of them was reproduced as a short accent, whereas the second one as a . In GE2 the latter was shortened – most probably after A – so it can be considered a long accent.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE , GE revisions

b. 214

composition: Op. 11, Concerto in E minor, Mvt I

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In the main text, we add a cautionary  before d3. In GE and EE2 (→EE3), in turn, less justified sharps before the 2nd semiquaver f2 and the 2nd quaver f1 were added.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 214-215

composition: Op. 16, Rondo in E♭ major

Dashes in FE (→EE)

No marks in GE
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In GE, there are no dashes marking the range of diminuendo. It is most probably an arbitrary revision of the editor, since there are no dashes in the entire source.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions