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b. 281

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FED

Fingering written into FEH

No teaching fingering
..

The fingerings written by Chopin in FED and FEH are compliant. In the main text, we include the more precise indications of FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH

b. 281-282

composition: Op. 11, Concerto in E minor, Mvt I

FE (→EE,GE1→GE2)

GE3
..

The position of ritenuto in FE (→EE,GE1→GE2), i.e. the end of bar 281, is probably erroneous:

  • adopting the natural assumption that ritenuto is to be applied until risoluto in bar 283 (cf. bars 407-408), we are faced with an almost a bar-and-a-half-long slowdown, the longest of the ones marked by Chopin in this movement of the Concerto. After a merely 8-bar-long prelude to the final figurational section of the exposition; according to us, such a pronounced slowdown is unjustified;
  • the 3rd beat of bar 281 and the 2nd of bar 282 are graphically identical, which could have provoked the engraver's mistake.

A corresponding change was suggested already in GE3.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: GE revisions

b. 281-295

composition: Op. 11, Concerto in E minor, Mvt I

..

category imprint:

b. 281-282

composition: Op. 16, Rondo in E♭ major

Hairpin in FE (→GE)

No mark in EE1

Hairpin in EE (→EE3)
..

In EE1, the engraver overlooked the ​​​​​​​ hairpin. The mark was added already by the reviser of EE2 (→EE3); at the same time, he arbitrarily extended it until the last note of the bar.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 281

composition: Op. 11, Concerto in E minor, Mvt III

No e in FE (→EE,GE1→GE2)

e in chord in GE3
..

The added e on the 3rd quaver is a revision of GE3, both arbitrary and unjustified.

category imprint: Differences between sources

issues: GE revisions