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b. 202

composition: (Op. 4), Sonata in C minor, Mvt I

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In A one can see traces of removal of the g2 minim in the 1st chord and of the f2 crotchet in the second one.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

b. 202

composition: (Op. 4), Sonata in C minor, Mvt I

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In A the arpeggio wavy line is written on the right of the chord, which, according to us, does not influence the meaning of this mark. We reproduce this notation only in the graphic transcription (version "transcript"). The editions placed the mark in its regular position, before the chord. This kind of notation is to be occasionally found in other pieces by Chopin, e.g. in the Polonaise in C minor, Op. 40 No. 2, bar 52. Similarly, in bar 215, as well as in IV mov. of the Sonata, bar 6.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Inaccuracies in A

b. 203

composition: Op. 43, Tarantella

 
 
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In GE1, most probably due to omission, there is no d in the chord on the first beat of the bar.

category imprint: Differences between sources

issues: Errors in GE

b. 203

composition: Op. 43, Tarantella

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We add  before g in RH. Similar additions were made in EE and GE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 203

composition: Op. 43, Tarantella

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In A there is no  lowering G to G in the LH part.

category imprint: Interpretations within context; Differences between sources