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b. 281
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The suggested complement to the pedalling visualizes the fact that the possibly authentic lack of category imprint: Editorial revisions |
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b. 281-282
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composition: Op. 21, Concerto in F minor, Mvt I
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Similarly as in analogous bars 133-134, Chopin used here a misleading rhythmic notation, in which the d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 281
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add cautionary flats before d category imprint: Editorial revisions |
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b. 281
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composition: Op. 21, Concerto in F minor, Mvt I
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In FE the accent over the d category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 281
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE the 1st note was printed at the right pitch, yet without a ledger line. category imprint: Source & stylistic information issues: Inaccuracies in FE |
following the 
sign in bar 276 does not indicate the pedal should be held up to the end of the Scherzo.
2 minim in bar 281 and the g1 minim in bar 282 are placed over the 2nd quaver in the bar or even after it. In this case, however, bar 282 was written in accordance with the contemporary rules already in 
