



b. 185
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composition: Op. 11, Concerto in E minor, Mvt I
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The chord on the last beat has three elements in the sources in bar 185, whereas in analogous bar 540, there are four elements. According to us, it does not provide any guarantee that Chopin indeed wanted to diversify this detail. Both versions sound good, hence the composer could have hesitated at the time of choosing one of them. This, in turn, could have resulted in deletions impeding the interpretation of [A] or in an accidental oversight of a proofreading of one of these places, which would happen to Chopin quite frequently (cf. e.g. the Sonata in B category imprint: Editorial revisions |
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b. 185-186
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 185-186
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composition: Op. 16, Rondo in E♭ major
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In GE, three accents are missing in the R.H. undoubtedly because of the engraver's oversight. category imprint: Differences between sources issues: Errors in GE |
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b. 185-186
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composition: Op. 38, Ballade in F major
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The earlier beginning of slurs, so as they encompass whole bars, exemplifies a common revision of GE. category imprint: Differences between sources issues: GE revisions |
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b. 185-186
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composition: Op. 38, Ballade in F major
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The deletions visible in A at the beginning of the 2nd half of bar 185 demonstrate that Chopin changed the 7th R.H. semiquaver. The removed semiquaver was probably a g1-c2 fourth. Similarly, we can guess that the deleted 7th semiquaver in bar 186 sounded a1-d2. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |