mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 244-246

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering, written in FEH over the 1st semiquaver triplet in bar 244, was recalled also in bar 246.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 244-246

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 244-246

composition: Op. 16, Rondo in E♭ major

..

We add cautionary naturals before e​​​​​​​1 in bar 244 and e2 in bar 246.

category imprint: Editorial revisions

b. 244

composition: Op. 22, Polonaise

No marks in FE (→GE,EE)

Staccato dots suggested by the editors
..

Just like in b. 224, in the main text we add staccato dots under the last two quavers after analogous b. 228 and 248.

category imprint: Editorial revisions

b. 244-248

composition: Op. 22, Polonaise

..

EE1 is lacking in the cautionary flats before a1 in the L.H. crotchet chord and before b1, the 4th R.H. semiquaver. The accidentals were added in the penultimate stage of proofreading of FE (→GE) as well as in EE2. In the main text we also add a  before a1, the 2nd R.H. semiquaver. Cf. b. 243.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals , Authentic corrections of FE