b. 245-247
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composition: Op. 19, Bolero
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One missing accent in bar 245 and 3 missing accents in bar 247 are almost certainly a result of Chopin's oversight (which remained uncorrected in the proofreading of FE) or a mistake of the engraver. We suggest adding these probably missing marks. The accents in bar 247 were added already by the reviser of EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE |
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b. 245
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composition: Op. 19, Bolero
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We add a slur for the last triplet in the bar, undoubtedly overlooked by the engraver (or Chopin). A similar addition was most probably performed by the reviser of GE. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions |
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b. 245-250
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composition: Op. 21, Concerto in F minor, Mvt III
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Both in bar 246 and bar 250 the slur in A reaches almost the end of the bar, which we interpret as a slur-tenuto and we keep it in the main text. In GE (→FE→EE) the slurs end in a conventional manner, reaching only the minim on the 2nd beat of the bar. category imprint: Differences between sources issues: Inaccuracies in GE , Tenuto slurs |
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b. 245-246
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composition: Op. 21, Concerto in F minor, Mvt III
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The tie of g was not marked by Chopin in any authentic source. If we take into account a similar phrase 4 bars further, one can assume Chopin's oversight. However, since bars 245 and 249 differ in the context in which the g is played, in the main text we leave the version of A. category imprint: Differences between sources issues: GE revisions |
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b. 245
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary before a. The mark was added already in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |