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b. 181-182
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composition: Op. 11, Concerto in E minor, Mvt I
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The digit written over the d2 grace note in FEH does not determine the fingering of the 2nd beat of bar 182, so it is difficult to state whether the writing person (we do not think it was Chopin) envisioned there the fingering indicated by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 181-182
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add cautionary naturals before the d2 grace note in bar 181 and c2 in bar 182. category imprint: Editorial revisions |
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b. 181
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composition: Op. 11, Concerto in E minor, Mvt I
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The version of GE1 (→GE2) must be erroneous – cf. analogous bar 536. The engraver must have looked, by mistake, at the line below and placed here the ending of bar 185, looking alike. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 181-182
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering in FEH was written probably by the same hand that corrected the fingering in the L.H., hence most probably Chopin. Due to this reason, we give it in the main text. category imprint: Differences between sources |
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b. 181
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
lowering d
2 to d2. The patent defect was corrected in the remaining editions.