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b. 245-251

composition: Op. 43, Tarantella

..

In EE unjustified  was added before g1 in the RH part in bars 245,247, 249 and 251.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 245-251

composition: Op. 43, Tarantella

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 245-247

composition: Op. 43, Tarantella

..

We add cautionary  before the last but one quaver in RH in bars 245 and 247. Similar additions were made in EE and GE4

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 245

composition: Op. 39, Scherzo in C♯ minor

d2-b1 w EE & GC (→GE)

b1-g1 in FE ('harmonic' interpretation)

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The version of FE, with an added  heightening
 g1 to g1, could be possible from the harmonic point of view. Still, the pianistic complication that finds no justification in sound terms plus the consistent version of all the remaining sources and the analogous bar 253 strongly indicate that we a re dealing here with the "Terzverschreibung" error.

category imprint: Differences between sources

issues: Errors in FE , Terzverschreibung error

b. 245

composition: Op. 35, Sonata in B♭ minor, Mvt II

Chord with c2 in GC & FE1 (→FE2EE1)

Chord with c2 in GE, FE3 (→FE4) & EE2

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The chord with c2 is most probably a result of an oversight of the composer, which is confirmed by the  added – probably by Chopin – in FE3 (→FE4).

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign