Page: 
Source: 
p. 16, b. 214-226
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 223

e1-a1 in FE (→GE) & EE2

e1-a1 in EE1

The version of EE1, repeated then in all analogous bars (b. 227, 243 and 247), could have been the initial version of these bars. However, it seems to be more likely that we are dealing here with Chopin's inadvertence, corrected in the penultimate stage of proofreading of FE (→GE). The correction was also introduced in EE2, probably on the basis of GE1. The a1 note is featured in the violas part, yet only just on the 3rd beat of the bar (after the rests).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Omission of current key accidentals, Authentic corrections of FE, Last key signature sign

notation: Pitch

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3