b. 239-242
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The pedalling of these bars in FE and GE1 includes mistakes and inaccuracies:
category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions |
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b. 239
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composition: Op. 21, Concerto in F minor, Mvt I
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The absence of is one of many oversights of GE1 (→FE→EE) in this and the previous bars. The sign was restored in GE2. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 239
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add cautionary flats before the E-e octave. category imprint: Editorial revisions |
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b. 239
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composition: Op. 11, Concerto in E minor, Mvt III
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FE (→GE1→GE2) is missing an accidental before the topmost note. A comparison with identical bar 237 proves an unquestionable oversight. A natural was added in EE, GE3 and FEH. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
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b. 239-240
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the mark entered by Chopin into FC (→GE1). In GE2 (→GE3) the mark was extended so that it encompasses two bars (from b. 239) after the authentic mark in analogous b. 107-108. A similar situation can be found in b. 690-691. category imprint: Differences between sources; Corrections & alterations issues: Scope of dynamic hairpins , GE revisions , Authentic corrections of FC |