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b. 239-242

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

The pedalling of these bars in FE and GE1 includes mistakes and inaccuracies:

  • in FE there is no  sign in bar 241 (a patent mistake);
  • in GE1 there are no  signs in bars 239-240 and the entire pedalling in bars 241-242 (and subsequent ones).

We give the unambiguous indications of GC and EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors in GE , GE revisions

b. 239

composition: Op. 21, Concerto in F minor, Mvt I

in A & GE2

No marking in GE1 (→FEEE)

..

The absence of  is one of many oversights of GE1 (→FEEE) in this and the previous bars. The sign was restored in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 239

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add cautionary flats before the E-e octave.

category imprint: Editorial revisions

b. 239

composition: Op. 11, Concerto in E minor, Mvt III

..

FE (→GE1GE2) is missing an accidental before the topmost note. A comparison with identical bar 237 proves an unquestionable oversight. A natural was added in EE, GE3 and FEH.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals

b. 239-240

composition: Op. 31, Scherzo in B♭ minor

No sign in A (→FEEE)

 in bar 240 in FC (→GE1)

 in bars 239-240 in GE2 (→GE3)

..

In the main text we give the  mark entered by Chopin into FC (→GE1). In GE2 (→GE3) the mark was extended so that it encompasses two bars (from b. 239) after the authentic  mark in analogous b. 107-108. A similar situation can be found in b. 690-691.

category imprint: Differences between sources; Corrections & alterations

issues: Scope of dynamic hairpins , GE revisions , Authentic corrections of FC