|
b. 175-177
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
A comparison with FE, which is also based on [A], suggests that the earlier division of the slur in GC (→GE) is erroneous. The copyist's momentary distraction is also supported by the misplaced category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , Errors of GC |
|||||||||||
|
b. 175
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we give the wedge written in A. The versions of the editions are either erroneous – in GE1 (→FE→EE) the sign was overlooked – or inaccurate (the dot in GE2). category imprint: Differences between sources issues: Errors in GE , GE revisions , Wedges |
|||||||||||
|
b. 175
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions , Omission of current key accidentals , Inaccuracies in A |
|||||||||||
|
b. 175-176
|
composition: Op. 21, Concerto in F minor, Mvt I
..
Shortening the slur in GE1 (→FE→EE) is almost certainly a characteristic inaccuracy of the engraver of GE1. The slur of A was restored in GE2. category imprint: Differences between sources issues: Inaccuracies in GE |
|||||||||||
|
b. 175-180
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The change of the font of accents in EE is a characteristic manner of this edition. category imprint: Differences between sources issues: EE revisions |
hairpin, one bar too early (see the previous note). Irrespective of the position of the division of slur, we consider the interpretation of the sources that reproduced it as coinciding slurs to be inaccurate; in the main text we interpret the first slur as a tenuto-slur and end it still in b. 176. It corresponds to the notation of 
before A
. The 
raising d
