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b. 236

composition: Op. 11, Concerto in E minor, Mvt I

 in FE (→EE,GE1→GE2)

No pedalling in GE3

  [] suggested by the editors
..

The missing  mark in this place is to be considered an inaccuracy – in the main text, we add the mark in accordance with analogous bar 587. A  mark is placed in FE (→GE1→GE2) under the last quaver in bar 235, which results from lack of space under the low-placed bass note. In EE, the mark was placed in bar 236 over the L.H. part, whereas in GE3, the pedalling was overlooked.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , GE revisions , No pedal release mark

b. 236

composition: Op. 16, Rondo in E♭ major

in FE (→EE)

in GE
..

GE has a  occurring in GE instead of  could be a mistake, but it seems more probable that it is a revision based on the analogy with bar 240.

category imprint: Differences between sources

issues: GE revisions , fz – f

b. 236

composition: Op. 16, Rondo in E♭ major

Long accent in FE, contextual interpretation

Hairpin in GE

Short accent in EE
..

The mark placed in FE could be interpreted as a ​​​​​​​ hairpin, as in GE where it was even extended. However, in this context, it is most probably a long accent. The reviser of EE also recognized an accent in it, and reproduced it as a standard, short one. Similarly in bar 240.

category imprint: Interpretations within context; Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE

b. 236

composition: Op. 22, Polonaise

..

We add a cautionary  before b2 in the main text.

category imprint: Editorial revisions

b. 236

composition: Op. 44, Polonaise in F♯ minor

..

In the main text we add a cautionary  before a1. In EE cautionary accidentals –  and  – were added before the c1-e1 third.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions