



b. 175
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composition: (Op. 4), Sonata in C minor, Mvt IV
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At the beginning of the bar, Chopin entered into A a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE , Errors repeated in IE |
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b. 175
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the (cautionary?) category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 176-177
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composition: Op. 43, Tarantella
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category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions |
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b. 176
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composition: Op. 43, Tarantella
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In A and FC3 (→FE→IE) the upper note of the chord on the second beat of LH is a A certainly long accent in A was copied wrongly - as a short one - in FC3 (→FE→IE) and EE but omitted in GE. Cf. bars 164-178 . category imprint: Interpretations within context; Differences between sources issues: EE revisions , Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Errors of FC |
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b. 176
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composition: Op. 43, Tarantella
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In A the accent on the second beat of the bar is clearly long, while all the other sources have a short accent (except GE, wher the mark was omitted). Cf. bars 164-178. category imprint: Differences between sources issues: Inaccuracies in GE |