



b. 164
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composition: Op. 43, Tarantella
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In A there is no category imprint: Interpretations within context; Differences between sources |
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b. 164-178
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composition: Op. 43, Tarantella
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The notation of accents on the LH chords is inconsistent in all the sources. In A the first few accents (in bars 164-166) are marked as short, the majority however (beginning with b.167) are unquestionably long ones and yet FC3 (→FE→IE) as well as GE and EE provide short accents only. In b. 169 of A there is no accent above the second chord, which was corrected in all other sources. A consistent musical context may result in an assumption that all those differences are but mere omissions, which leads to the version proposed for the main text. In FE (→IE) accents are marked in RH, which must have resulted from incorrect notation of FC3 (cf. notation of A, especially in bars 172-175). category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 164
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composition: Op. 42, Waltz in A♭ major
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FE0 (→GE,EE) has the c1-e category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 164-165
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composition: Op. 42, Waltz in A♭ major
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In FE0 (→FE,FEG) there is no change to the bass clef here. The sign was erroneously added in GE1, by placing it only after the 1st crotchet in bar 165. Eventually, the error was corrected in GE2 (→GE3). EE also features the clef in the correct place. category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions |
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b. 164
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In GE Chopin category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |