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b. 219
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composition: Op. 21, Concerto in F minor, Mvt I
..
Similarly as in bars 217-218, we consider the subsequent shortenings of the category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 219
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composition: Op. 21, Concerto in F minor, Mvt III
..
The version of A (→GE→FE1), changed by Chopin in the proofreading of FE2 (→EE), was already a result of a correction in A – originally, the 7th quaver was most probably a c2. In the main text we give the latest of these three authentic versions. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE , Main-line changes |
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b. 219-220
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composition: Op. 19, Bolero
..
We suggest adding characteristic accents, in accordance with the notation in analogous bar 107. The marks were probably added by the revisers of GE and EE. In EE2 (→EE3), in addition, the last accent was arbitrarily changed to a vertical one. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 219
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composition: Op. 19, Bolero
..
As in the case of analogous bar 107, in GE there is no category imprint: Differences between sources issues: FE revisions |
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b. 219-220
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composition: Op. 21, Concerto in F minor, Mvt III
..
The two-bar slur, present in GE (→FE→EE), does not bear traces of corrections in print; therefore, we assume that it was an arbitrary decision of the engraver of GE1. However, taking into consideration the fact that the slur does not distort the phrasing in this place at all, and Chopin's possible proofreading cannot be entirely excluded, we regard this version as an equal variant to two slurs of A. category imprint: Differences between sources issues: Errors in GE |
in 
1 in 
before a1, added most probably in the last proofreading of 
