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b. 163
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composition: Op. 2, Variations, complete
..
As in b. 139 and 147, in the main text we add a cautionary category imprint: Editorial revisions |
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b. 163
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include the inauthentic fingering digit added by EE. See also bars 166-170, 175 and 180-183. category imprint: Differences between sources issues: EE revisions |
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b. 163
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composition: (Op. 4), Sonata in C minor, Mvt I
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The missing slur must be an oversight by the engraver of EE1, corrected in EE2. In FE the indications in this bar were adjusted to the next two ones – see the note in bar 165. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 163
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composition: (Op. 4), Sonata in C minor, Mvt I
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The missing category imprint: Differences between sources issues: Errors in IE |
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b. 164
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composition: Op. 43, Tarantella
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We present the Es1-Es octave at the beginning of b.164 in LH based on A, FC3 (→FE→IE) and EE. In GE the octave is replaced by a subsequently repeated chord. The authenticity of this version seems questionable, as Chopin's correction [KF1] is little probable and GE version must be ruled out. It may have been the copyist or engraver who erroneously replaced this bar with one of the two subsequent bars. The A notation, where this bar, marking a new part, is notated at the end of the line may well result in such errors. category imprint: Differences between sources issues: Errors in GE |
to f and f1 and a 
to e
1 and e
in 
