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b. 164-165
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composition: Op. 23, Ballade in G minor
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In these bars, there are no flats to a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 164
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composition: Op. 23, Ballade in G minor
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The missing arpeggio mark in the editions must have resulted from a mistake by the engraver of FE. category imprint: Differences between sources issues: Errors in FE |
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b. 164-175
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composition: Op. 2, Variations, complete
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AsI does not contain any performance markings in these bars, on which we do not comment further on. category imprint: Differences between sources |
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b. 164-167
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composition: Op. 2, Variations, complete
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In AsI the L.H. part is marked in an abridged manner with the word unisono, written in each bar. The alternative L.H. part is written on the same stave, which we keep in the graphic transcription ("transcript"). In the content transcription, the abridged notation of the L.H. demisemiquavers was elaborated (they were written out), while the alternative accompaniment was placed on an additional stave, as in the other sources. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 164-168
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composition: Op. 49, Fantaisie in F minor
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The category imprint: Differences between sources; Corrections & alterations issues: EE revisions |
1 and A
to the L.H. chord). What is more, the remaining necessary flats were inserted only in the first half of each of these bars. Moreover, in 
in 
in bar 172, two cresc. - - in bars 174-179 and 
in bar 180). The second hairpin was added by