b. 217
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 217
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composition: Op. 21, Concerto in F minor, Mvt I
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The cautionary flat before d2 was added in GE (→FE→EE). In a similar context, Chopin would frequently write signs specifying the pitch of a note, compliant with the key, after previously raising it an octave lower. Therefore, it cannot be excluded that the addition comes from the composer. The flat before the d minim in the L.H. was added by us. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of GE |
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b. 217
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composition: Op. 21, Concerto in F minor, Mvt I
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The later started slur in the majority of the editions is a result of inaccuracy of the engraver of GE1 (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 217-218
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composition: Op. 21, Concerto in F minor, Mvt I
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Subsequent shortenings of the sign in GE and FE (→EE) are certainly accidental. In the main text we reproduce the notation of A. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 217
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composition: Op. 21, Concerto in F minor, Mvt I
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The beginning of the slur of A is undoubtedly inaccurate; however, it is unclear from which note it was supposed to start, according to Chopin – from the 2nd f1 semiquaver, from the sustained e1 semiquaver or maybe even from the e1 crotchet, as it was interpreted in GE (→FE→EE). We adopt the second of the possibilities as the text of A due to a slightly similar situation in the previous bar. Being uncertain how A is to be interpreted, in the main text we give the unambiguous notation of the editions (equivalent to the one we adopted to A). category imprint: Differences between sources issues: Inaccuracies in GE |