|
b. 161
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
It is unclear whether the mark in A is a diminuendo or an accent (long). In GE it was reproduced as an accent, longer than the short ones in bar 153, yet shorter than the majority of typical long accents. In the main text we provide a category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in A |
|||||||||
|
b. 162
|
composition: Op. 38, Ballade in F major
..
The continuousslur in FE2 (→FE3), reaching the minim in bar 164, results certainly from Chopin's correction, hence we give this version in the main text. However, it should be noted that Chopin did not changed the shorter slurs of A, and only differently supplemented the slurring overlooked in FE1. The version of A (→GC→GE) may be considered an equivalent variant. The EE version may be regarded as an alternative reading of the slurs in A. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
|||||||||
|
b. 162
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
Both versions are authentic – see bar 10. category imprint: Differences between sources issues: GE revisions |
|||||||||
|
b. 162-165
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The pedalling of FE (→EE) is less accurate, while in bar 164 it is certainly erroneous (no category imprint: Interpretations within context; Differences between sources issues: Errors in FE |
|||||||||
|
b. 162-163
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
In the main text, we give the slurs of GC (→GE). Adopting the version with shorter slurs in bars 81-87, one has to adopt the variant without slurs here. category imprint: Differences between sources |
hairpin in 
2 & d
sign before 
). In the main text we give the undoubtedly correct indications of 
