b. 217
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composition: Op. 42, Waltz in A♭ major
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In the entire bar FE0 (→FE,FEG) has only two cautionary accidentals: a lowering g2 to g2 on the 3rd quaver and a raising a1 to a1 in the L.H. Out of three undoubtedly overlooked signs in the R.H., it is the lack of the raising a1 to a1 at the beginning of the bar that is most striking; the accidental was added in pencil in FED, it was also added in GE and EE. In both editions a was added also before the last quaver, yet the fully correct notation is only in GE. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 217
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC (→GE1) the bar includes only 5 crotchets, as the copyist overlooked the third chord. The mistake was corrected in GE2. category imprint: Differences between sources issues: GE revisions , Errors of GC |
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b. 217
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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No d1 notes in the 3rd and 4th chords in the R.H. is certainly a mistake of the engraver of FE1 (→FE2), corrected by Chopin in FE3 (→FE4) and the base text to EE. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
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b. 217-218
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composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources issues: Errors in FE |
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b. 217
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add cautionary flats before e2 and e3. category imprint: Editorial revisions |