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b. 161-162
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composition: Op. 21, Concerto in F minor, Mvt I
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We consider the slurs of A in bar 161 to be original or erroneous; in the main text we replace them with slurs modelled after analogous bars 163, 311 and 313. We interpret the slightly inaccurate slurs in bar 162 in accordance with the scheme used by Chopin in similarly shaped and marked bars 159, 165-168, and particularly 312 and 314. The slurs of GE1 (→FE→EE) in bar 162 are certainly arbitrary. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
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b. 161
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 161-164
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composition: Op. 21, Concerto in F minor, Mvt III
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The slurs, added both in EE and – to a lesser extent – in GE2, are certainly inauthentic. The slur in bar 162 can be considered to be justified in the light of the authentic slur in identical bar 166. According to us, in this context, the difference can suggest a slightly different performance, e.g. a more pronounced crescendo, hence we preserve the differentiated notation of A in the main text. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 161
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 161
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we omit the cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
before c3, present in all sources.