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b. 195
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composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 195-196
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composition: Op. 38, Ballade in F major
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The four accents in A, although rather big, are nonetheless distinctly shorter than long accents e.g. in bars 39, 41-43 or 68. In GC accents are much longer what was reproduced in GE (the marks in GE are longer than accents in e.g. bars 179-180 or 184). FE has long accents as well, but EE arbitrarily replaced them with vertical accents. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , Inaccuracies in GC |
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b. 195
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composition: Op. 31, Scherzo in B♭ minor
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The version of EE1 repeats the mistake of FE, which was corrected in the last phase of proofreading in FE. In EE2 (→EE3) the correct text was introduced probably on the basis of comparison with analogous b. 63 and 646. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of FE , Errors repeated in EE |
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b. 195-196
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composition: Op. 22, Polonaise
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Like in b. 51-52, of which the discussed bars are a literal repetition, the slurs overlooked in FE were added in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 195-197
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composition: Op. 22, Polonaise
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Like in b. 51-53, of which the discussed bars are a literal repetition, the staccato dot under the bass B category imprint: Differences between sources; Editorial revisions issues: EE revisions |
1 note is present in