mUltimate Chopin

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Undo Clear

b. 148-149

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

The fingerings of FEH and EE differ in the initial part of the figuration – in the former the hand immediately adjusts to the ascending part of the passage (the 3rd finger implicitly on b1), while the use of the 1st finger on a1 prepares a slightly more convenient grip of the g1-e2 sixth.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 148

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FE→EE)

Pedalling in FC (→GE)
..

In the main text we include the pedal change added under these bars in FC (→GE).

category imprint: Differences between sources

issues: Authentic corrections of FC

b. 148

composition: Op. 22, Polonaise

..

In the main text we add a cautionary  before e1.

category imprint: Editorial revisions

b. 148-152

composition: Op. 50 No. 3, Mazurka in C♯ minor

No slurs in AI

5 slurs in AF (→FE) & GE

3 slurs in b. 148 & 151-152 in EE
..

AI is devoid of slurs in these bars, which is most probably Chopin's inadvertence – see b. 141-143. The missing slurs in b. 149-150 in EE is a mistake of the engraver of FE (corrected in the finished FE) or EE.

category imprint: Differences between sources

issues: Errors in EE , Authentic corrections of FE

b. 148

composition: Op. 50 No. 3, Mazurka in C♯ minor

No sign in AI & AF (→FE→EE)

in GE
..

In the main text we give the  mark after GE, which most probably reproduce the notation of [AG].

category imprint: Differences between sources