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b. 189

composition: Op. 2, Variations, complete

Demisemiquavers in AsI

Rhythm with rest in A (→GE→FE,EE,FESB)
..

Chopin diversified the L.H. figuration in terms of rhythm and articulation in A (→GE→FE,EE,FESB). The idea must have been conceived before the place was written down in A, since there are no traces of corrections.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Dotted or even rhythm

b. 189

composition: Op. 2, Variations, complete

 in AsI
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As in b. 184 and 188, none of the sources includes an accidental that would specify the sound of the mordent's top note. The prevailing key in b. 184-190, F major, requires the use of e, which we indicate in the main text with a natural.

category imprint: Editorial revisions

issues: Omission of current key accidentals

b. 189

composition: Op. 23, Ballade in G minor

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category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

b. 190

composition: Op. 43, Tarantella

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We add cautionary  before e in LH. Similar addition was made in EE and GE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 190

composition: Op. 43, Tarantella

 
 
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In FC3 (→FE→IE), EE or GE1 d1​ crotchet in RH is not dotted.

category imprint: Differences between sources

issues: Inaccuracies in FC