b. 190
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no accidental before the penultimate semiquaver. In this situation, the absence of a is a patent mistake, corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
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b. 190
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composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 190
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composition: Op. 22, Polonaise
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Like in b. 46, of which the discussed bar is a literal repetition, we add a mark before the 3rd beat of the bar. The mark was also added, yet at the end of the bar, in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 190
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composition: Op. 22, Polonaise
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The penultimate R.H. semiquaver in EE is an a1. It is most probably an example of overzealousness of the reviser, who was supposed to detect the overlooked cancellations of alterations, and who did not realise that a1 at the beginning of the 2nd triplet is not an alteration, but a note proper of the reigning key (B major since b. 184), in addition, an element of the chord constituting the harmonic base. category imprint: Differences between sources issues: EE revisions |
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b. 190-191
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composition: Op. 22, Polonaise
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In the main text we omit the cautionary before b1 at the beginning of the 3rd beat of b. 190, and we add a before b1 at the beginning of b. 191. The latter was also added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |