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b. 144-147
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composition: Op. 2, Variations, complete
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In AsI these bars are marked as a repetition of b. 136-139 (similarly, b. 148-149 are a repetition of b. 140-141). Admittedly, repeat signs are neither at the beginning of b. 136 nor at the end of b. 143; however, the intended repetition is proven by the fact that b. 142-143 were written directly before b. 150-151. At the same time, the first pair of bars was encompassed with a 1. volta bracket, while the second pair with a 2. volta bracket. category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information |
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b. 144-147
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composition: Op. 2, Variations, complete category imprint: Differences between sources |
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b. 144-146
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composition: Op. 49, Fantaisie in F minor
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In the 2nd half of bar 144 and 146 there are no accidentals in A. Chopin was generally convinced that notes written at the same pitch do not require repeating accidentals regardless of the presence of an octave sign. The then contemporary rules were not fully established yet, which is proven by the fact that the notation was left unchanged in FE1. Eventually, however, both FE2 (→EE) and GE added all accidentals. Similarly, in further such passages. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 144
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composition: Op. 49, Fantaisie in F minor
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In A and FE there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
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b. 144-146
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composition: Op. 49, Fantaisie in F minor
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The long accents entered into A (→GE) at the beginning of bar 144 and 146 are probably inaccurate, which is indicated by a comparison with respective marks in analogous bar 148 and 150 as well as 224-230 and 311-315. Due to the above, in the main text we suggest short accents here. The absence of these marks in FE almost certainly means that Chopin added them to A after [FC] had been finished. In EE1 out of two FE accents only the first one was reproduced, whereas in EE2 the three remaining ones were added – as short ones – after comparing it with GE1. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Long accents , EE revisions , Errors in EE |
to the dotted crotchet in the middle of the bar (f
2). Chopin's patent oversight was corrected in 
