b. 184
|
composition: Op. 38, Ballade in F major
..
The slur in GC (→GE) was almost certainly written by Chopin – cf. the analogous bar 180, where the corresponding slur occurs in all the sources. The omission of the slur in A was caused most likely by the deletions which forced Chopin to write most of this bar on an additional staff. category imprint: Differences between sources issues: Errors resulting from corrections , Authentic corrections in GC |
||||||
b. 184
|
composition: Op. 44, Polonaise in F♯ minor
..
In the main text we suggest supplementing the accent after analogous b. 139, 159, 198 and 218. category imprint: Editorial revisions |
||||||
b. 184-185
|
composition: Op. 44, Polonaise in F♯ minor
..
According to us, both source versions of pedal markings are most probably authentic. The shorter pedal of GE corresponds to the pedalling of analogous b. 139 and 159. In turn, the longer pedal of FE (→EE) includes, as it seems, the R.H. part register, in this bar significantly higher than in the remaining analogous places, as a result of which it is also a longer pedal that sounds clean. category imprint: Differences between sources; Editorial revisions |
||||||
b. 184
|
composition: Op. 2, Variations, complete
..
In AsI the ornament, added probably later, is provided with a draft and not entirely clear form; however, it is most probably . Chopin would often use this mark in the sense of (at times they are even difficult to tell apart). Therefore, the use of a different mark does not have to mean that Chopin envisaged a longer ornament. None of the sources includes a mark that would specify the sound of the ornament's top note. The prevailing key in b. 184-190, F major, requires the use of e2, which in the main text we indicate with naturals. Omissions of accidentals in similar situations is a rule rather than an exception in Chopin's pieces – apparently, the composer believed that the sense of key would suggest the right note to the performer. category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: Errors in FE , Placement of markings , FE revisions , , |
||||||
b. 185-186
|
composition: Op. 43, Tarantella category imprint: Differences between sources issues: Inaccuracies in GE |