mUltimate Chopin

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b. 185-193

composition: Op. 42, Waltz in A♭ major

..

GE1 and EE have an unnecessary, cautionary  next to a.

category imprint: Differences between sources

b. 185

composition: Op. 38, Ballade in F major

b1 (no accidental) in A (→GC,FE,EE) & GE3

b1 (with ) in FEJ

b1 in GE1 (→GE2)
..

In the main text we add a cautionary  next to b1 in the R.H. An identical pencilled addition, probably performed by Chopin's hand, can be seen in FEJ. The GE1 (→GE2) version must be an erroneous revision, one of a few in bars 185-186: see the note at the beginning and in the middle of the next bar. In GE3, the  lowering b1 to b1 was deleted.

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , GE revisions , Cautionary accidentals , Annotations in FEJ

b. 185

composition: Op. 38, Ballade in F major

..

There are no naturlas restoring d1-d2 on the last semiquaver in the R.H. It is a patent inadvertence of Chopin's.

category imprint: Interpretations within context

issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 185-188

composition: Op. 35, Sonata in B♭ minor, Mvt I

No pedalling in the sources

Pedalling suggested by the editors
..

In the main text we suggest adding pedalling after authentic indications in analogous bars 57-60.

category imprint: Editorial revisions

b. 185-188

composition: Op. 35, Sonata in B♭ minor, Mvt I

Slurs in GC & GE2

Slur in FE1 (→FE2)

Slurs in FE3 (→FE4) & EE

Slurs in GE1

Slurs suggested by the editors
..

The slurring of particular sources seems to convey Chopin's idea only approximately. In the main text, we suggest an interpretation of the slurs of GC based on the slurs written in a more precise manner in analogous bars 57-60. See also bar 189.

category imprint: Differences between sources

issues: Errors in FE , GE revisions , Authentic corrections of FE , Inaccuracies in GC , Authentic corrections of EE