



b. 137
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composition: Op. 26 No 2, Polonaise in E♭ minor
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EE overlooked the pedalling indications in bar 137. category imprint: Differences between sources issues: Errors in EE |
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b. 137
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The absence of the tie of g category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 137-139
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In bars 137 and 139 GE2 (→GE3→GE4) changed the category imprint: Differences between sources issues: GE revisions |
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b. 137-138
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC and FE, which certainly reproduce the notation of [A], the naturals before the g and d notes are written only in the extreme voices – next to the bottom notes in the L.H. and top in the R.H. An exception are the D1-D octaves (both notes provided with naturals, although in FE1-FE3 only in bar 138) and the devoid of category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC |
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b. 137
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The continuous slur in EE is probably a result of a misunderstanding, related to the adjustment of the slurs to the changed graphical layout – cf. the note on slurs in bars 132-137. In the main text, we give hence the beginning of the slur after GC (→GE). See also bars 140-141. category imprint: Differences between sources issues: EE inaccuracies , Authentic corrections of EE |