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b. 137

composition: Op. 26 No 2, Polonaise in E♭ minor

Pedalling in A (→FE→GE)

No markings in EE
..

EE overlooked the pedalling indications in bar 137.

category imprint: Differences between sources

issues: Errors in EE

b. 137

composition: Op. 26 No 2, Polonaise in E♭ minor

Tie to g in A, GE2 (→GE3→GE4) & EE2

No tie in FE (→GE1,EE1)
..

The absence of the tie of g is almost certainly an oversight of the engraver of FE. The tie was added in later GE and EE certainly on the basis of comparison with analogous bar 33.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions

b. 137-139

composition: Op. 26 No 2, Polonaise in E♭ minor

..

In bars 137 and 139 GE2 (→GE3→GE4) changed the  indications to . See the characteristics of GE2.

category imprint: Differences between sources

issues: GE revisions

b. 137-138

composition: Op. 35, Sonata in B♭ minor, Mvt I

..

In GC and FE, which certainly reproduce the notation of [A], the naturals before the g and d notes are written only in the extreme voices – next to the bottom notes in the L.H. and top in the R.H. An exception are the D1-D octaves (both notes provided with naturals, although in FE1-FE3 only in bar 138) and the devoid of  g3 note in bar 138. In GE and EE the notation is correct (except for the devoid of naturals D1-D quaver in bar 137 in EE1).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC

b. 137

composition: Op. 35, Sonata in B♭ minor, Mvt II

New slur in GC (→GE)

No slur in FE

Slur continued in EE
..

The continuous slur in EE is probably a result of a misunderstanding, related to the adjustment of the slurs to the changed graphical layout – cf. the note on slurs in bars 132-137. In the main text, we give hence the beginning of the slur after GC (→GE). See also bars 140-141.

category imprint: Differences between sources

issues: EE inaccuracies , Authentic corrections of EE