



b. 136
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In this context, there is no doubt as to the moment in which the pedal should be released (changed). Therefore, the omission of the category imprint: Differences between sources; Editorial revisions issues: EE revisions , No pedal release mark |
||||||
b. 136
|
composition: Op. 12, Variations in B♭ major
..
There is no doubt that the omission of the slur in FE (→EE) was accidental – cf. the adjacent bars, particularly the first appearance of this phrase (bars 117-120). The slur was added in GE, perhaps at Chopin's request. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
||||||
b. 137
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
The accent that can be seen in A (→GE→FE→EE) must be considered a short one. However, if we compare that bar with bars 121, 127 and 133, in which A clearly has long accents, we begin to suspect that the accent mark may have been written by Chopin in a hasty and inaccurate manner. category imprint: Interpretations within context issues: Long accents |
||||||
b. 137
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
We add a cautionary category imprint: Editorial revisions |
||||||
b. 137
|
composition: Op. 38, Ballade in F major category imprint: Differences between sources; Editorial revisions issues: GE revisions |