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b. 177-181
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composition: Op. 16, Rondo in E♭ major
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In the main text, we add cautionary accidentals before the 2nd semiquavers in bars 177, 179 and 181 – a category imprint: Editorial revisions |
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b. 177-180
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composition: Op. 38, Ballade in F major
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Three consecutive, approximately one-bar-long slurs were writtne into GC (→GE) almost certainly by Chopin. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
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b. 177
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In both autographs the accent in this bar is shorter than the previous ones, although – particularly in AI – it is not entirely certain whether the difference is to be regarded as significant. Taking into account the different rhythmic value of the chord, we assume that the accent's length is correlated with it. Just like in the previous bars, the accent in AI and AF is closer to the L.H. part, which, according to us, is an inaccuracy. In the main text we reproduce the combined category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Long accents , GE revisions |
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b. 177-180
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the category imprint: Differences between sources |
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b. 177-179
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give dimin. after GE. The absence of the dashes marking its range can be explained by the presence of a category imprint: Differences between sources |
before c2, a 
before b
1 and a
> in 
in 
and cresc. that is very typical).
