



b. 137
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 33, in the ninth chord in the L.H. at the beginning of the bar Chopin deleted F in the FES pupil's copy. The facilitation can be considered to be a variant for a small hand. category imprint: Source & stylistic information |
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b. 137
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composition: Op. 64 No 2, Waltz in C♯ minor
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Same as in bar 9, the absence of the category imprint: Differences between sources issues: Errors in FE |
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b. 137
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The inconsistent with the bar stucture L.H. slurring in GC as well as the lack of the second L.H. slur in FE1 are almost certainly mistakes by the copyist and the engraver. On the other hand, the slur added in FE2 (→EE,FE3→FE4) is probably inaccurate, as evidenced by the slurring of the subsequent bars. In the main text, we give the probable reconstruction of the slurs in [A], aptly guessed in GE. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC |
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b. 137-138
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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We adopt the pedalling from FE in the main text, for it is consistent with the pedalling of the subsequent bars. The placement of the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in GC |
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b. 137
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composition: Op. 21, Concerto in F minor, Mvt I
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In spite of the difference in the size, we consider both accents of A in this bar to be long – cf. a similar situation in the following bar, 138. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |