b. 178-179
|
composition: Op. 43, Tarantella
..
In FE (→IE) diminuendo begins on the second beat of the bar. In EE it begins on the second quaver of the bar. In the main text we provide a version compatible with A, FC3 and GE. category imprint: Differences between sources issues: Scope of dynamic hairpins |
|||||
b. 178
|
composition: Op. 38, Ballade in F major
..
Lack of the L.H. slurs is a characteristic error of the engraver of EE who omitted slurs in a new line of music.. category imprint: Differences between sources issues: Errors in EE |
|||||
b. 178-182
|
composition: Op. 38, Ballade in F major
..
In the main text we add cautionary naturals before e2 in bars 178 and 179, and before e1 in bars 182. The accidental in bar 179 was also added in GE2 (→GE3). See also bar 183. category imprint: Differences between sources; Editorial revisions |
|||||
b. 178
|
composition: Op. 38, Ballade in F major
..
In A (→GC,FE1→FE2) there is no raising f1 to f1 in bar 178 and f to f in bar 182. The accidentals were added in EE, GE and FE3. category imprint: Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE |
|||||
b. 178
|
composition: Op. 19, Bolero
..
The missing accent in EE1 (→EE2) is most probably an oversight of the engraver, rectified in EE3. category imprint: Differences between sources issues: EE revisions , EE inaccuracies |