b. 176
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we omit the unjustified before b2. category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 176
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composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources |
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b. 176
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composition: Op. 38, Ballade in F major
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We add a cautionary before b1 in the L.H. In the analogous bar 172 the homologous occurs in all the sources. category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
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b. 176
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composition: Op. 22, Polonaise
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In the main text we suggest an accent, written by Chopin in analogous b. 32. The need to accentuate this syncopation, co-creating a characteristic, polonaise cadence, goes without saying. category imprint: Editorial revisions |
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b. 176
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composition: Op. 22, Polonaise
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It is the different slurring with respect to analogous b. 32 that is noteworthy. Due to the highly likely abridged notation of the reprise of the main section of the Polonaise in [A], this difference must have occurred in print, e.g. as a result of Chopin's proofreading in b. 32. In the main text we suggest adding slurs while maintaining the source slur, since it emphasises the significance of the f2 crotchet, thus kind of replacing the accent present in b. 32. category imprint: Editorial revisions |