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b. 167
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composition: Op. 21, Concerto in F minor, Mvt III
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The cautionary naturals before g2 and g1 were added in GE (→FE→EE). It could have been performed at Chopin's request. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 167-168
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composition: Op. 21, Concerto in F minor, Mvt III
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Beginning a slur from the second note of the bassoon motif is certainly an inaccuracy of GE1, repeated in all subsequent editions. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 167
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composition: Op. 21, Concerto in F minor, Mvt I
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Differently than in analogous bars 161-166 and 168, in GE both slurs begin from the 2nd quaver in the group. It is almost certainly a result of proofreading – probably a Chopin one – since the slurs of A, particularly the second one, are exceptionally inaccurate here. The difference in slurring was not included in FE (→EE), which may be explained by distraction or a unifying revision. It is also possible that the slurs in GE1 were changed in the last phase of proofreading, already after the copies had been sent to Paris. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions , Authentic corrections of GE , FE revisions |
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b. 167-168
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, Chopin did not specify – consciously or not – the moment of pedal release. We suggest two possible pedalling solutions for this place in the main text. No category imprint: Differences between sources issues: GE revisions , No pedal release mark |
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b. 167
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composition: Op. 16, Rondo in E♭ major
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In EE, the long accent was reproduced as a short one. category imprint: Differences between sources issues: Long accents , EE revisions |
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