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b. 129-160

composition: Op. 64 No 2, Waltz in C♯ minor

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In As and AI the presence of these bars does not result from the notation – the Waltz ends in bar 128. In A bars 129-152 are not written out with notes, but only marked in an abbreviated manner (with subsequent letters) as a repetition of bars 1-24. At the same time, Chopin overlooked the 'N' letter, corresponding to bar 13 (141); this patent mistake either did not confuse the engraver of FE (→GE,EE) or it was cleverly corrected.  

category imprint: Differences between sources; Source & stylistic information

issues: Errors of A

b. 129-160

composition: Op. 64 No 2, Waltz in C♯ minor

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Placement of the  asterisks – see bars 1-32. Bars 131, 132, 142-143, 148, 158 and 160 were discussed separately. 

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 129-130

composition: Op. 64 No 2, Waltz in C♯ minor

Longer  in A

Shorter  in FE (→GE,EEW1EEW2)

No sign in EEC

..

Shortening the  hairpin in the editions is most probably a result of an inaccuracy of the engraver of FE. The absence of the sign in EEC is undoubtedly a mistake.

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors in EE

b. 129-130

composition: Op. 64 No 2, Waltz in C♯ minor

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EEC overlooked the slur over the part of the R.H., which is certainly a mistake.

category imprint: Differences between sources

issues: Errors in EE

b. 129

composition: Op. 16, Rondo in E♭ major

Slur in FE (→GE)

EE2 (→EE3)

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The slur, inaccurately reproduced in EE1, was revised in EE2 (→EE3) by adding a second one, which makes the slurring resemble the one that the sources contain in bar 127.

category imprint:

issues: EE revisions , EE inaccuracies