|
b. 125-128
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
|||||||||||||
|
b. 125
|
composition: Op. 12, Variations in B♭ major
..
In the main text we do not include the cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
|||||||||||||
|
b. 126-127
|
composition: Op. 29, Impromptu in A♭ major
..
A significant part of the differences in the notation of the final chords may be attributed to the errors of interpretation of manuscripts and changes and additions performed by the editors. As a result, it is only the notation in A and EE that differ significantly. However, they also give practically the same sound effect, having regard to the authentic pedalling. category imprint: Differences between sources issues: EE revisions , GE revisions |
|||||||||||||
|
b. 126
|
composition: Op. 38, Ballade in F major
..
Determining the sound of the third intended by Chopin in the bottom voice of the R.H. is a difficult task. A (→FE,EE) has a b category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
|||||||||||||
|
b. 126-127
|
composition: Op. 38, Ballade in F major
..
The lack of slur results certainly from an oversight by the engraver of FE. category imprint: Differences between sources issues: Errors in FE |
before g
, present in all sources.
, written by Chopin's hand, which gives b-d1. According to us, this entry could have been a result of the composer's mistake, who was reviewing 
