b. 161-164
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The accents in GC are of different length, which, considering the similarity of the motifs, is most probably an inaccuracy. In the main text we adopt long accents, which prevail in the notation. All the versions of the editions are most probably a result of an inaccuracy or revision. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE |
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b. 161-162
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The version with d as the lower note of the L.H. dyads in the middle of each of these bars, although seemingly erroneous (cf. an analogous figure at the turn of bar 163), may have occurred in [A] since both the copyist and the engraver of FE1 twice read it this way. The notation in the autograph was possibly unclear here, e.g. as a result of some corrections making it difficult to discriminate between visually similar figures (cf. a mistaken slur in the adjacent figure). Stylistic arguments favour the version with c – repeating the note d results in an irregularity:
The tie between both notes d in bar 161 is almost certainly an arbitrary addition by GE. Therefore, we regard as correct only the version with c introduced into FE2. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions , Errors of GC |
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b. 161-165
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composition: Op. 64 No 3, Waltz in A♭ major
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In the main text, we add cautionary flats before a1 in bars 161, 163 and 165. All signs were added already in GE1op (→GE2op→GE3op), GE2Ab and EEW2, in turn, in EEW1 only the first two were added, whereas in GE1Ab – only the last one. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 161-165
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composition: Op. 64 No 3, Waltz in A♭ major
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In the main text, we give the undoubtedly authentic slurring of A (→FE→GE1op,GE1Ab). The same slurring was inaccurately reproduced in EEC. In turn, two remaining versions bear traces of intentional changes, arbitrary, although, from the practical point of view, quite accurate (particularly EEW). category imprint: Differences between sources issues: EE revisions , GE revisions , EE inaccuracies |
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b. 161
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composition: Op. 26 No 2, Polonaise in E♭ minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |