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b. 126

composition: Op. 38, Ballade in F major

Dotted crotchet in FE, EE & GE

..

In A (→GC), the lack of the dot extending the first crotchet of the R.H. lower voice is almost certainly an oversight by Chopin. The dot was added in all editions.

category imprint: Differences between sources

issues: Inaccuracies in A

b. 126

composition: Op. 35, Sonata in B♭ minor, Mvt I

b-b1 in GC (→GE)

b-a1 in FE (→EE)

..

GC (→GE) has a b-boctave as the 4th quaver in the bar. The comparison with the motifs in the adjacent bars (as well as in bars 133-135) almost certainly indicates a mistake of the copyist.

category imprint: Differences between sources

issues: Errors of GC

b. 126

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we add cautionary flats before e2 and e3.

category imprint: Editorial revisions

b. 126

composition: Op. 19, Bolero

No indication in FE (→GE,EE)

[] suggested by the editors

..

We suggest adding  for the 1st quaver in the L.H. Chopin placed the marking in analogous bar 92.

category imprint: Editorial revisions

b. 126-127

composition: Op. 21, Concerto in F minor, Mvt III

1 slur in A & GE2

2 slurs in GE1 (→FEEE)

..

Breaking the slur between these bars is a characteristic inaccuracy of the engraver of GE1 (after all, the two-bar slur in bars 125-126 is already a result of proofreading – the remaining elements of original slurs show that each of these bars was most probably embraced with a separate slur). The continuous, four-bar slur written in A was restored in GE2. See also bars 128-129.

category imprint: Differences between sources

issues: Errors in GE , GE revisions , Corrected slurs of Op. 21 in GE1