



b. 125
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composition: Op. 23, Ballade in G minor
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It is unclear whether sempre (più animato) was overlooked or removed by FE (→GE,EE). In the main text, however, we give this version, since it seems that it continues the direction of the agogic changes of the section that begins here; the changes were initiated already in A – see the note in b. 136. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 125-127
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composition: Op. 2, Variations, complete
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In AsI the following quavers: g3 in b. 125, c4 and e category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: GE revisions , Rhythmic errors , Errors of A |
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b. 125
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composition: Op. 30 No. 4, Mazurka in C# minor
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The differing performance markings of FC and FE were independently introduced by Chopin both in the copy and in the stage of proofreading FE (or in the basis for it) – see the note on the filiation of the Mazurkas. In the main text we give the version of the principal source (FC), but the second version may be regarded as an equal option. category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 125
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composition: Op. 30 No. 4, Mazurka in C# minor category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 125-127
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composition: WN 29, Waltz in E minor
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Assigning the accents to the R.H. part must be a mistake by the engraver of GE. Although the version of PE is not clear from the graphical point of view, the natural addressee of these accents are the distinct L.H. minims resulting from syncopation. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in PE |