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b. 162
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composition: Op. 26 No 2, Polonaise in E♭ minor
..
Both versions are authentic – see bar 10. category imprint: Differences between sources issues: GE revisions |
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b. 162-165
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The pedalling of FE (→EE) is less accurate, while in bar 164 it is certainly erroneous (no category imprint: Interpretations within context; Differences between sources issues: Errors in FE |
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b. 162-163
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text, we give the slurs of GC (→GE). Adopting the version with shorter slurs in bars 81-87, one has to adopt the variant without slurs here. category imprint: Differences between sources |
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b. 162
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composition: Op. 64 No 2, Waltz in C♯ minor
..
The chords on the 2nd and 3rd beats of the bar in FE (→EE,GE1op,GE1no2) is most probably a mistake – see bar 34. The introduction of sixths in later GE is certainly a revision unifying bars 34, 98 and 162, in this case, according to us, giving the correct result. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions |
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b. 162-172
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composition: Op. 64 No 2, Waltz in C♯ minor
..
Similarly as in bars 33-44 (in the autographs the discussed bars are not written out), we reproduce the range of the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies |
2 & d
sign before 
). In the main text we give the undoubtedly correct indications of 
-e1 in 
signs in 
