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b. 160
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composition: Op. 43, Tarantella
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In IE, as a result of an obvious error, the second beat of RH is moved up by a third. In the middle voice there are no augmentation dots. category imprint: Differences between sources issues: Terzverschreibung error |
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b. 160-163
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composition: Op. 43, Tarantella
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In the sources bars 160 - 163 are slurred differently. The FE (-IE) variant and EE may result from the imprecise notation of FC3. The GE must be a free interpretation, and yet here we also find differences - in the first three impressions there are only two slurs on the two beats of b. 161. Only in GE4 a slur on the second beat of b. 160 and a slur on bars 162-163 were added.
category imprint: Differences between sources issues: GE revisions , FE revisions |
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b. 160
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composition: Op. 42, Waltz in A♭ major
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In FE0 (→FE,FEG) there are no naturals raising d category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , GE revisions , Annotations in FEJ |
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b. 160
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composition: Op. 42, Waltz in A♭ major
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The natural before b1 in the chord on the 3rd beat of the bar is only in GE2 (→GE3). In this context the need to use this sign is an issue of convention. category imprint: Differences between sources issues: GE revisions |
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b. 160
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE1 overlooked the staccato dot over the 1st chord. GE2 (→GE3→GE4) arbitrarily removed all dots in this bar. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
1 to d1 on the 2nd crotchet in the L.H. and d
in the next bar. The necessary signs were added in 
