mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 125

composition: Op. 26 No 2, Polonaise in E♭ minor

No f in A (→FE→GE1,EE)

Note f in GE2 (→GE3→GE4)
..

GE2 (→GE3→GE4) repeated here the erroneous version of bar 21 with an additional f note. 

category imprint: Differences between sources

issues: GE revisions

b. 125-128

composition: Op. 35, Sonata in B♭ minor, Mvt I

 in GC & GE2

Dashes in FE (→EE)

No indications in GE1

Dashes &  suggested by the editors
..

It is unclear how the difference in the way of indicating crescendo in bars 127-128 occurred. The  sign could have been added by Chopin in GC, however, according to us, it can be considered an addition (enhancement) to the verbal indication. In the Chopinesque notation, a verbal indication generally indicates a global dynamic increase, generally related to a progressive harmonic sequence and often including a few bars, whereas the  hairpin generally concerns shading of the melodic line. Therefore, we also suggest a solution combining both versions of the indications, in which cresc. - - - in bars 127-128 is continued next to the  hairpin, probably in accordance with the performance intended by Chopin – see also bars 135-136.
The total absence of dynamic indications in GE1 is a patent error, corrected in GE2.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions , Authentic corrections in GC

b. 125

composition: Op. 35, Sonata in B♭ minor, Mvt I

..

We add cautionary flats before the 1st octave. The signs were introduced already in GE2 and EE2.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 125-139

composition: Op. 26 No 2, Polonaise in E♭ minor

..

In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty, numerated bars, corresponding to bars 1-67.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 125-126

composition: Op. 64 No 3, Waltz in A♭ major

e1 not tied in A

e1 tied in FE (→EE,GE)
..

The missing tie of e1 may be Chopin's mistake.

category imprint: Differences between sources; Corrections & alterations

issues: Errors of A , Authentic corrections of FE