mUltimate Chopin

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b. 124

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic R.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 125

composition: Op. 29, Impromptu in A♭ major

 
 
..

In FE the pedal mark in this place was overlooked.

category imprint: Differences between sources

b. 125-126

composition: Op. 24 No. 4, Mazurka in B♭ minor

Slur beginning in A

GE1 (→FE→EE)

GE2 (→GE3)
..

The slur in A begins on a semiquaver, along with the melodic narrative. In GE1 (→FE→EE) it begins over the dotted crotchet, and in GE2 (→GE3) it starts at the beginning of the bar.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 125

composition: Op. 24 No. 4, Mazurka in B♭ minor

A probable interpretation of the accent in A

Possible reading of the accent in A (→GE→FE→EE)
..

The type of accent intended by Chopin is not clear. A long accent seems more probable when we compare that bar to the analogous bar 117. GE (→FE→EE) have a short accent here.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents

b. 125-126

composition: Op. 38, Ballade in F major

No G in bar 126 in A (→FE,EE,GC→GE)

G suggested by the editors
..

In the sources there is no extension of G to bar 126 (note and tie). It is almost certainly Chopin's oversight, related to the transition from bar 126 to a new page in A. Cf. analogous bars 101, 107 and 132.

category imprint: Editorial revisions

issues: Errors of A