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b. 160

composition: Op. 26 No 2, Polonaise in E♭ minor

 in A & GE2 (→GE3→GE4)

No sign in FE (→GE1,EE)
..

FE (→EE,GE1) overlooked the  hairpins. The defect was completed in GE2 (→GE3→GE4) most probably on the basis of comparison with analogous bars 8, 56 and 112.

category imprint: Differences between sources

issues: Errors in FE , GE revisions

b. 160

composition: Op. 35, Sonata in B♭ minor, Mvt II

 on first beat in GC (→GE)

No sign in FE

 at the end of bar in EE
..

No  in FE is rather of an accidental nature, although the pedal can be sustained longer than it results from the notation of GC (→GE). It is confirmed by the  sign added in EE, which can come from Chopin (which does not mean that it was reproduced accurately – perhaps Chopin wrote it slightly earlier, e.g., on the 3rd beat of the bar).

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , No pedal release mark

b. 160-171

composition: Op. 26 No 2, Polonaise in E♭ minor

..

In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty, numerated bars, corresponding to bars 1-67.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 160-164

composition: Op. 64 No 3, Waltz in A♭ major

Four-note chords in A & GE

Three-note chords in FE (→EE)
..

The version of A, repeated in GE through a proof copy of FE, is the original one. In this version in each bar one is supposed to perform two identical four-note chords (as in the previous bars). In the last proofreading of FE (→EE) Chopin deleted some of the notes, lightening the accompaniment and creating an internal melodic line: g–d1–c1–a– etc.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 160

composition: Op. 64 No 2, Waltz in C♯ minor

c in A & GE

C in FE (→EE)
..

Same as in bar 32, Chopin introduced the change of c to C in the last phase of proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Authentic corrections of FE , Bass register changes